Film
screening and discussion with
director Tommy Davis
“Mojados: Through the Night”
October
5,
2005 |
|
Tommy
Davis,
the filmmaker behind "Mojados: Through the
Night,"
on campus on October 5. |
A
Filmmaker Makes the Crossing
By
Susie Hicks
About
halfway through the film “Mojados: Through the
Night,” filmmaker Tommy Davis’s camera drops suddenly
to the ground, and we see the open desert turned on its side
between thorny blades of grass and cactus plants. He and four
young men from Mexico have just crossed a highway in southern
Texas; a helicopter is audible nearby, and everyone is running
away from the road as fast as they can. They are weak from
a day without clean water or food. The scene captures one of
the many moments of terror that punctuate the long, frigid
and often tedious winter journey through the desert, a journey
with high stakes for the men who have left their families in
Michoacán to cross the border and work in the United
States.
Fear is as constant a companion for these migrants as the
cameraman who trudges alongside them: fear of running out of
water, of freezing night temperatures and of the Border Patrol
agents who could send them back over the border. What the documentary
shows, however, is their remarkable resolve as they suffer
through the desert. Toughness, commitment to their families
and sense of humor somehow sustain the men the director refers
to as Guapo, Viejo, el Tigre and el Oso.
The
documentary — a product of two years work by Texas
native Tommy Davis — covers a week in the lives of these
four men as they travel to the U.S. from Cheran, a town in
the mountains of central Mexico. The departure is painful.
Guapo is worried that his youngest son will forget him. No
one is sure how long their journey will be; their wives are
stoic but with watery eyes. The men know only that they have
to walk north by northeast for at least four days and that
four highways and a river lie between them and their destination,
a safe house in southern Texas . They hope to outpace the cold
front that is on its way, bringing freezing rain and wind.
As
their raft begins to sink halfway across the Río
Grande , some of the men begin to worry about the journey to
come. Guapo, struggling to get off the sinking raft, lands
in a cactus patch. On the first night, no one sleeps well;
one man stays up through the night listening for Border Patrol
agents.
The
men joke with one another, but they will die without finding
water soon. A muddy puddle brings hope; it is most likely
contaminated by cows and bacteria, but the men fill their
milk bottles and joke that this is “diet
water – agua lite.” Later
on, they will get down on their knees to drink gratefully from
a murky pond. Their tortillas are already moldy, and several
of the men are getting anxious with only two days behind them
and no food or good water. The fire will not light that evening
in the cold, wet mud.
“Are you going to do this again?” Davis asks
the men through his translator. “No,” says one
man, who plans to spend two or three years in the U.S. But
el Oso shakes his head, “Everyone changes their minds.” The
parched men share a beer left over from the bus ride in Mexico
. Cactus needles stick in their legs.
In
a voiceover, a rancher is heard to say, “These people
. . . if one of them gets sick, they leave ‘em behind.” On
the fourth day out, the tortillas and fresh water long gone,
one of the men sings to keep their spirits up. As they find
a puddle at sunset and scoop up the muddy water, someone jokes, “It
tastes just like Kool Aid.”
A
passing trucker denies the migrants food, but gives them
a bit of water before telling them his boss is nearby and
likely to call the Border Patrol on them. After another cold
night, they finally reach the safe house. A brief rest and
a meal of canned food and potato chips is all the respite
they are granted. When Border Patrol trucks are spotted nearby,
the men, and Davis, are told to leave on foot. It is the
last time the filmmaker will see Guapo, Viejo and El Tigre.
Oso runs away and walks another three days into the U.S.
The others are caught and immediately deported to Reynosa,
Mexico by the Border Patrol.
Davis ’s
documentary cuts to a local news station documenting the
February 25, 2003 freeze that killed three migrants south
of the Highway 281 checkpoint. Davis later learned that Guapo
and Viejo had hired a coyote and crossed successfully on
February 23.
Tommy
Davis, who answered questions after the screening of the
documentary, said that he does not know if he would do it
again. “I don’t think they should have to cross
like that. . . . . I had driven that route [Highway 281] from
the highway to my hometown and to think people are dying right
out there even with so many eyes on them. I just took the viewpoint
of crossing and trying to show what’s happening.” Davis,
who carried his own food and 80 pounds worth of film and batteries,
managed to bring us along with him.
Tommy
Davis is the director of the documentary“Mojados:
Through the Night.” He spoke at CLAS on October 5,
2005.
Susie Hicks is a Ph.D. student in the Department of Geography.
|
Mr.
Davis speaks with an audience member after the film
screening.
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